Bryan Illsley, Blue Under 3 (2001)
Bryan Illsley, Rejected Yellow (2018)
Bryan Illsley, White Wash (2018)
Clockwise from top left; Lined Grey (no longer available), Lightly White, Drawn Pink, Nicked Black, and White Marked (all 2021)
Bryan Illsley, Trap (2020)
Bryan Illsley, Hooters (2018)
Bryan Illsley, Brushwork 13, 18 and 15 (2020) SOLD
Editioned aquatint framed by the artist
Bryan Illsley, Red + Black 1, 5, and 4 (2021)
Editioned aquatint framed by the artist
The diverse practice of Bryan Illsley includes; painting, sculpture, book manufacture, design, print and jewellery making. Before studying at Kingston School of Art, he served an apprenticeship with a monumental stonemason. He was based in St Ives from the early 1960s until his return to London in1986. In St Ives, alongside his own studio practice, he worked for the Leach Pottery before forming a partnership with Breon O’Casey making jewellery.
Public collections that hold examples of his work include the Arts Council, Crafts Council, Contemporary Arts Society, Victoria & Albert Museum, Kettles Yard, Cambridge and the Museum of Modern Art, Kyoto.
For a list of available works please contact Tatjana Marsden
info@marsdenwoo.com
+44(0)20 7336 6396
Bryan Illsley, Blue Under 3 (2001)
Bryan Illsley, Rejected Yellow (2018)
Bryan Illsley, White Wash (2018)
Clockwise from top left; Lined Grey (no longer available), Lightly White, Drawn Pink, Nicked Black, and White Marked (all 2021)
Bryan Illsley, Trap (2020)
Bryan Illsley, Hooters (2018)
Bryan Illsley, Brushwork 13, 18 and 15 (2020) SOLD
Editioned aquatint framed by the artist
Bryan Illsley, Red + Black 1, 5, and 4 (2021)
Editioned aquatint framed by the artist
The diverse practice of Bryan Illsley includes; painting, sculpture, book manufacture, design, print and jewellery making. Before studying at Kingston School of Art, he served an apprenticeship with a monumental stonemason. He was based in St Ives from the early 1960s until his return to London in1986. In St Ives, alongside his own studio practice, he worked for the Leach Pottery before forming a partnership with Breon O’Casey making jewellery.
Public collections that hold examples of his work include the Arts Council, Crafts Council, Contemporary Arts Society, Victoria & Albert Museum, Kettles Yard, Cambridge and the Museum of Modern Art, Kyoto.