Magic Carpet (2020) Glass beads, thread 165 x 116 x 1cm
Magic Carpet detail (2020) Glass beads, thread 165 x 116 x 1cm
Magic Carpet detail (2020) Glass beads, thread 165 x 116 x 1cm
Blanket (2020) Glass beads, thread 1815 x 960 x 1cm
Inside Out (2017) Vintage stool, glass beads, thread 50 x 40 x 10cm (approx.)
ReFrame (2020) Vintage frame, thread, glass beads 60 x 40 x 6cm
Untitled II (2019) Vintage frame, linen, glass beads 40 x 40 x 6cm
Empty (2019) Plywood chair, linen thread 88.5 x 45 x 41cm
Pointed (2019) Vintage stool 40 x 35 x 25cm
Sinking (2019) Vintage chair 85 x 40 x 40cm
Chair and Stool with Glass Legs (2019) Vintage chair and stool, flame worked glass Chair 80 x 40 x 38cm Stool 33 x 30 x 22cm
Skin (2018) Glass beads, thread 46 x 25 x 7cm (variable)
Still Life Shadow (2015) Glass beads, thread 80 x 80 x 1cm
Still Life Stool (2015) Vintage stool, glass beads, thread 30 x 35 x 35cm
Still Life Stool detail (2015) Vintage stool, glass beads, thread 30 x 35 x 35cm
Covered Stool (2011) Vintage stool, glass beads, thread 30 x 90 x 80cm
Covered Stool (2011) Vintage stool, glass beads, thread 30 x 90 x 80cm
Collapsing Chair and Covered Stool (both 2011)
Collapsing Chair (2011) Vintage chair, metal fittings (suspended) 80 x 60 x 50cm
Light Interrupted (2011) Vintage chair, paint 90 x 60 x 60cm
Chair with Cane Seat (2020) Vintage Chair, glass beads, thread 70 x 38 x 36cm
Caroline Broadhead's practice brings the usually autonomous areas of jewellery, textiles and performance art into close relationship. She describes her work as ‘mainly driven by ideas but making and materials are an integral part of the process. You can’t make things without considering the craft of it’.
Broadhead trained at the Central School of Art and Design, London. Public collections that hold examples of her work include the Stedelijk Museum, Amsterdam; the Museum of Modern Art, Kyoto; and the Victoria and Albert Museum, London. She was the winner of the Jerwood Prize for Applied Arts: Textiles in 1997, and has held major retrospectives at CODA, The Netherlands in 2018, and at The Lethaby Gallery, London in 2019. A Central Saint Martins alumna, Broadhead held the positions of Jewellery and Textiles Programme Director and BA Jewellery Design Course Leader for nearly ten years at the College until her retirement in 2018 and is now Professor Emerita. She continues to teach on the course and is a guest lecturer at various institutions in and outside the UK.
For more information or to enquire about sales please contact Tatjana Marsden
info@marsdenwoo.com +44(0)20 7336 6396
Magic Carpet (2020) Glass beads, thread 165 x 116 x 1cm
Magic Carpet detail (2020) Glass beads, thread 165 x 116 x 1cm
Magic Carpet detail (2020) Glass beads, thread 165 x 116 x 1cm
Blanket (2020) Glass beads, thread 1815 x 960 x 1cm
Inside Out (2017) Vintage stool, glass beads, thread 50 x 40 x 10cm (approx.)
ReFrame (2020) Vintage frame, thread, glass beads 60 x 40 x 6cm
Untitled II (2019) Vintage frame, linen, glass beads 40 x 40 x 6cm
Empty (2019) Plywood chair, linen thread 88.5 x 45 x 41cm
Pointed (2019) Vintage stool 40 x 35 x 25cm
Sinking (2019) Vintage chair 85 x 40 x 40cm
Chair and Stool with Glass Legs (2019) Vintage chair and stool, flame worked glass Chair 80 x 40 x 38cm Stool 33 x 30 x 22cm
Skin (2018) Glass beads, thread 46 x 25 x 7cm (variable)
Still Life Shadow (2015) Glass beads, thread 80 x 80 x 1cm
Still Life Stool (2015) Vintage stool, glass beads, thread 30 x 35 x 35cm
Still Life Stool detail (2015) Vintage stool, glass beads, thread 30 x 35 x 35cm
Covered Stool (2011) Vintage stool, glass beads, thread 30 x 90 x 80cm
Covered Stool (2011) Vintage stool, glass beads, thread 30 x 90 x 80cm
Collapsing Chair and Covered Stool (both 2011)
Collapsing Chair (2011) Vintage chair, metal fittings (suspended) 80 x 60 x 50cm
Light Interrupted (2011) Vintage chair, paint 90 x 60 x 60cm
Chair with Cane Seat (2020) Vintage Chair, glass beads, thread 70 x 38 x 36cm
Caroline Broadhead's practice brings the usually autonomous areas of jewellery, textiles and performance art into close relationship. She describes her work as ‘mainly driven by ideas but making and materials are an integral part of the process. You can’t make things without considering the craft of it’.
Broadhead trained at the Central School of Art and Design, London. Public collections that hold examples of her work include the Stedelijk Museum, Amsterdam; the Museum of Modern Art, Kyoto; and the Victoria and Albert Museum, London. She was the winner of the Jerwood Prize for Applied Arts: Textiles in 1997, and has held major retrospectives at CODA, The Netherlands in 2018, and at The Lethaby Gallery, London in 2019. A Central Saint Martins alumna, Broadhead held the positions of Jewellery and Textiles Programme Director and BA Jewellery Design Course Leader for nearly ten years at the College until her retirement in 2018 and is now Professor Emerita. She continues to teach on the course and is a guest lecturer at various institutions in and outside the UK.
For more information or to enquire about sales please contact Tatjana Marsden
info@marsdenwoo.com +44(0)20 7336 6396