FROM 8 SEPTEMBER 2023
We are delighted to present this online retrospective exhibition of work by Robert Marsden, an artist best known for his uncompromising minimalist metal sculpture.
Marsden's work has been characterised by the critic Mel Gooding as ‘belonging to that specifically modernist type of the sculptural architectonic’, referencing the language of architectural geometry, yet directing this towards a realm of uncertainty and optical illusion. The aesthetic of industrial production meets extraordinary artisanal skill and handwork in Marsden’s sculptures, which range in scale from tabletop to monumental outdoor pieces. Those represented here span a period of over 30 years from the mid 1980s onwards.
All photography by Philip Sayer, unless otherwise attributed
[Robert Marsden's works] set solidity ...against void or, to be more precise (as the work demands), volume against absence.
...Change the fall of light, change the form perceived: these sculptures offer the eye the pleasures of both two-dimensional and three-dimensional geometry and of their interplay. And more besides.
Mel Gooding 2006
1 Interruptions 2011 Private collection, Lebanon
2 An Obstruction (No.12) 1994
3 Block Thirteen - A Step in the Right Direction 1993
4 Block Six B 1991
5 Serpentine Spouts 1985 Private collection, USA
6 Two Closed Cups - More or Less 1998 Birmingham Museum & Art Gallery
7 Neither Here Nor There 2016
8 Nought 2000
9 Study for Asides 2006
10 An Aside 2.02 2005
11 An Aside, 4.01 and An Aside, 4.03 Both 2005
12 Stark Reality 2008-2009
13 Another Dimension 2013
14 Displaced (No.22) 2009 Private collection, Hong Kong
15 Set Square, 09 2018
16 Study for Displaced Series 2009
17 Understood 2013
18 Quartered 2012 Unknown private collection
19 Contradictions 2011
Robert Marsden studied at High Wycombe College of Technology and the Royal College of Art. He has exhibited internationally and his work can be found in the Crafts Council Collection, London; Birmingham Museum & City Art Gallery; Shipley Art Gallery; Sheffield Assay Office; and the National Gallery of Australia.
For more information or to enquire about sales please contact Tatjana Marsden
info@marsdenwoo.com
+44(0)20 7336 6396
FROM 8 SEPTEMBER 2023
We are delighted to present this online retrospective exhibition of work by Robert Marsden, an artist best known for his uncompromising minimalist metal sculpture.
Marsden's work has been characterised by the critic Mel Gooding as ‘belonging to that specifically modernist type of the sculptural architectonic’, referencing the language of architectural geometry, yet directing this towards a realm of uncertainty and optical illusion. The aesthetic of industrial production meets extraordinary artisanal skill and handwork in Marsden’s sculptures, which range in scale from tabletop to monumental outdoor pieces. Those represented here span a period of over 30 years from the mid 1980s onwards.
All photography by Philip Sayer, unless otherwise attributed
[Robert Marsden's works] set solidity ...against void or, to be more precise (as the work demands), volume against absence.
...Change the fall of light, change the form perceived: these sculptures offer the eye the pleasures of both two-dimensional and three-dimensional geometry and of their interplay. And more besides.
Mel Gooding 2006
1 Interruptions 2011 Private collection, Lebanon
2 An Obstruction (No.12) 1994
3 Block Thirteen - A Step in the Right Direction 1993
4 Block Six B 1991
5 Serpentine Spouts 1985 Private collection, USA
6 Two Closed Cups - More or Less 1998 Birmingham Museum & Art Gallery
7 Neither Here Nor There 2016
8 Nought 2000
9 Study for Asides 2006
10 An Aside 2.02 2005
11 An Aside, 4.01 and An Aside, 4.03 Both 2005
12 Stark Reality 2008-2009
13 Another Dimension 2013
14 Displaced (No.22) 2009 Private collection, Hong Kong
15 Set Square, 09 2018
16 Study for Displaced Series 2009
17 Understood 2013
18 Quartered 2012 Unknown private collection
19 Contradictions 2011
Robert Marsden studied at High Wycombe College of Technology and the Royal College of Art. He has exhibited internationally and his work can be found in the Crafts Council Collection, London; Birmingham Museum & City Art Gallery; Shipley Art Gallery; Sheffield Assay Office; and the National Gallery of Australia.