MARSDEN WOO
MARSDEN WOO

TO 24 OCTOBER 2020

Nao Matsunaga
Deepcuts
curated by Anthony Shaw

There are found objects we come across... that mean far more to us than words... This latest body of work falls into this category... They channel past histories and contrast Japanese and Western art with the earliest cave markings and abstract expressionism.

These objects will mean different things each time they are viewed. They are to be treasured.

– Anthony Shaw

Photography by Philip Sayer

Nao Matsunaga, Deepcut V   

Nao Matsunaga, Deepcuts, installation view  

Nao Matsunaga, Disc I   

Nao Matsunaga, detail of Deepcut I & Deepcut II   

Nao Matsunaga, Deepcuts, installation view  

Nao Matsunaga, detail of Deepcut XIII & Deepcut XIV   

Nao Matsunaga, detail of Disc III

Nao Matsunaga, Deepcuts, installation view  

Nao Matsunaga, detail of Deepcut XI & Deepcut XII   

Nao Matsunaga, detail of Disc IV

Nao Matsunaga, detail of Deepcut VI & Deepcut VII

Nao Matsunaga, Deepcuts, installation view  

Nao Matsunaga, detail of Deepcut III & Deepcut IV

SHOWROOM CURRENT

Nao Matsunaga
Deepcuts
curated by Anthony Shaw

To 24 October 2020

Viewings are by appointment only, please contact us to make a booking

BOOK AN APPOINTMENT

Nao Matsunaga, Deepcut V   

Nao Matsunaga, Deepcuts, installation view  

Nao Matsunaga, Disc I   

Nao Matsunaga, detail of Deepcut I & Deepcut II   

Nao Matsunaga, Deepcuts, installation view  

Nao Matsunaga, detail of Deepcut XIII & Deepcut XIV   

Nao Matsunaga, detail of Disc III

Nao Matsunaga, Deepcuts, installation view  

Nao Matsunaga, detail of Deepcut XI & Deepcut XII   

Nao Matsunaga, detail of Disc IV

Nao Matsunaga, detail of Deepcut VI & Deepcut VII

Nao Matsunaga, Deepcuts, installation view  

Nao Matsunaga, detail of Deepcut III & Deepcut IV

Nao Matsunaga
Photography © Philip Sayer

MARSDEN WOO

Bryan Illsley's London studio, August 2020
Photography © Philip Sayer

FORTHCOMING

Philip Eglin

Marsden Woo Showroom
5 November to 15 December 2020

A new series of ceramic sculptures that reflect on the renewed poignancy of the saying 'an Englishman's home is his castle'.

The artist revisits a 2003 work about a Welsh castle and found bottle forms, acknowledging and referencing historic and contemporary sources in his lively expressive style.