PHILIP EGLIN

Philip Eglin, Madonna and Child (2022)

Philip Eglin, Recumbent Nude (2016)

Philip Eglin, Five Jugs (1) (2023) Photo courtesy the artist

Philip Eglin, Five Jugs (2) (2023) Photo courtesy the artist

Philip Eglin, Five Jugs (3) (2023) Photo courtesy the artist

(centre) Philip Eglin, Standing Nude (2017)

Philip Eglin, selection of Bottles (2020)

Philip Eglin, Bottle No. 3 and Small Jug No. 4 (2020)

Philip Eglin, Bottle 7 (2020) 51cm high

Philip Eglin, Bottle 4 (2020) 47cm high

Philip Eglin, Priest and Pin Up I raku dish (2021)

Philip Eglin, Priest and Pin Up II raku dish (2021)

Philip Eglin, Priest and Pin Up III raku dish (2021)

Philip Eglin, Priest and Pin Up IV raku dish (2021)

Philip Eglin, Nude with Jug (2017)

Philip Eglin, Standing Nude (2017)

Philip Eglin, No Unauthorised Vehicles (2017)

Philip Eglin, Divine Intervention (Madonna and Child) (2004)

Philip Eglin, Easy Pour Madonna (2004)

Philip Eglin studied at Staffordshire Polytechnic and the Royal College of Art. His ceramic works reflect and comment on contemporary culture. References are made to an array of sources including Northern Gothic religious woodcarvings, Chinese export porcelain, English folk ceramics and the language of symbols used on contemporary packaging. His most recent work explores juxtapositions of imagery related to football, religion and sex.

Eglin exhibits internationally and his work can be found in major private and public collections including the Stedelijk Museum, the Netherlands, Mint Museum, USA, British Council, London, National Museum of Scotland, Edinburgh and the Victoria and Albert Museum, London. He was winner of the prestigious Jerwood Prize for Applied Arts: Ceramics in 1996.

philipeglin.com